#is she able to talk to her in dreams

[sarcastic-clapping]

LET YOUR DAD DIE: IT'S FINE IT'S FINE IT'S WHAT HE DID TO HIS DAD.

Lestat + Claudia: Patricide & The Cycles of Violence - INTERVIEW WITH THE VAMPIRE (2022) - Catherine Lacy, "Cut" (2019) / Anne Rice, "The Vampire Lestat" (1985) / Anne Rice, "Interview with the Vampire" (1976)

[puppyeared]

Was nobody gonna warn me that I would fall a little bit in love with every character in Stardew

[cent-scratchnsniff]

here together

[antiyourwokehomophobia2]

I wonder what it is about breaking up with someone and starting new that I find so upsetting. I realize that people also find break ups heartbreaking, but I know I take it to an extreme. I've never liked the idea of having different partners throughout my life. The idea of having an ex has always been something I hated. The type of breakup didn't matter to me. That is to say whether we ended on good or bad terms didn't make the idea of ending a relationship better to me. I'm not trying to be pretentious about it, I'm just being fr about a sentiment I've held for as long as I can remember. I've never been the type of person who enjoyed the idea of hook ups or casual dating. For better or worse, I've always held the belief that romantic relationships should be all in and serious from the beginning.

I think this feeling is definitely exacerbated by the fact that I've been passed up for another person before so I know what it's like to have someone "move on" from you, and it genuinely sucks like all fucking hell lmao. So the idea of "moving on" and being with someone else has been incredibly tarnished for me.

[nadiajustbe]

Throwing another option of HMC dynamic you might have never thought about: Mari and Princess Valeria's friendship would be an unstoppable force of power unknown to making and to prevent this from happening the universe made them exist in different words.

[teenageukulelescreamo]

I feel like I’ve regained access to an OC of mine I expected to be shelved away for a long time, but she has suddenly found herself back with the original story she was going to have and it’s actually… so cool???

[rubenesque-as-fuck]

Anyway I got notified that I'll be getting a nice $$ bonus from work today and I wish that I could celebrate with someone in a way that didn't just feel like obnoxious bragging. Like beyond the financial aspect, it's just nice to be recognized for good work and I actually feel... good?? about this job??

But it feels so silly to say I want to celebrate when I just got back from what felt like my first real vacation in a very long time and am doing cool comic con stuff this weekend and am scheduled for a new tattoo next weekend. I am already doing lots of things to try to make myself feel good! It feels selfish to want more!

But I guess even with all of that, there's just still a hunger for external validation from trusted sources. Will I ever grow out of wanting someone to be proud of me?

[ethereance]

Au where post canon Allura gets sent back in time to s1. Or so she thinks at first. But because she has no body in her own reality, her quintessence latches onto the closest alternative the second she can return to the universe. The differences are subtle. But as time progresses they grow more apparent. Her ‘future’ knowledge isn’t quite so handy after all.

[topicaltropic]

oops! all wips

[bumblingbabooshka]

If the doctor were a woman they would have written her and Tom together (ultimate sitcom married couple duo)

[lilacerull0]

you know that episode really fucked me up this morning

[shirogane-oushirou]

meowdy... <3

[geometricalien]

It's 3 am. I can't sleep. And I'm still a little drunk so I'm going to word vomit into the void about Last Night in Soho.

I absolutely adore this movie. The acting, the directing, the cinematography, the themes- it's all fantastic! ... except for the character John. And this has nothing to do with the actor portraying him but John's place in the narrative as friend/romantic interest to Ellie while being a foil to Sandie's own "Johns".

Ellie's John is everything Sandie's aren't: kind (apologizing for taking her coke and offering to give it back, saving a seat for her in class, checking up on her through the semester), respectful (of her boundaries and her passion and personhood), supportive (showing up for her exhibition), and helpful (offering to look for Sandie in missing person cases and moving her out of her apartment at the end of the movie). Even Sandie - the character who hated men most - pardons him and absolves him of any perceived wrong doing, "Save the boy downstairs"; although just minutes ago she stabbed him in the gut and left him for dead.

Unfortunately, it reads alot like "Not all men!! ☝️"

For a movie to be so focused on the relationship between two women and one of them understanding the other as if she was herself, the crux of the film, the resolution of it is Sandie saying "You can't save me, it's too late for me. Save yourself. Save the boy downstairs." And it's only then that Ellie goes to safety, she saved herself to save a man.

It's frustrating.

It's also frustrating that any other girl around Ellie's age is vapid and facetious "So brave ❤️" or an insecure bully dragging people down. Of course, this serves to make Ellie's attachment to Sandie stronger but writing John as a woman without romantic connotations would not stop her from being starstruck by Sandie. It would only highlight the sisterhood theme.

Sandie saying, "Save the girl downstairs" would make way way more sense for her character, Ellie's character, and the themes.

You can still have Ellie bring home someone near Halloween and still have his name be John and still have him respect her boundaries when the vision bleeds into reality.

Gotta keep in mind that this would edge itself closer into the black best friend being a prop/support for the main white character without being afforded their own personhood cliché, but that could be easily circumvented with decent writing.

Overall, it would tighten the film's message of sisterhood, women supporting women, and advocating for each other. This film is at its best when Ellie is showing kindness to Sandie by pulling the blanket over her feet. Her being protective over Sandie by shouting, "She said no!" Trying to hug her and show her she isn't alone. Her hugging Alexandra and seeing Sandie. Her refusing the Johns' their revenge. By taking Sandie's side time and time again. And Alexandra asking Ellie after the dance when her John left, "Did he hurt you?" As if she would hobble down the street that very second with a knife to track him down.

Another girl must not suffer in that room. Not under that roof. Not in the whole damn world. Not if Sandie or Ellie or I have anything to say about it.

[phagodyke]

another morning another free bus journey..

[minty-bunni]

Y'all say this site is toxic, but mweor got my sister and I diagnosed with Ehlers-Danlos Syndrome instead of fibromyalgia and "that weird kid who keeps telling people she dislocates an entire limb by just existing"

So I'd say it is a win.

[im-sorry-what-ii]

being led on by a girl youve liked for years whos always talking about how girls will lead you on then not do anything and say they dont think of you like that is a new level of hell